TRACI KELLY
Education/////////////////////////////////////////////////////////////////
2012 PostGrad Cert Ed; Nottingham Trent University
2010 PhD Theatre/Fine Art University of Reading (no amendments)
2003 M.A. Fine Art Birmingham City University
2002 B.A. Hons Fine Art; Nottingham Trent University (first class)
Exhibitions////////////////////////////////////////////////////////////////
2021 Galleri 2, "Borrowed Landscape", Kelly|Marhaug|Ojalvo Solo Show, Stamsund, Lofoten Islands, Norway
2021 Stuttgarter Filmwinter 2021, "Piss Take", Kelly|Marhaug|Ojalvo, Stuttgart, Germany
2020 Kelly + Jones, The Glass Tank, Oxford, UK
2019 An Extraordinary Rendition; hancock & kelly, Nottingham Contemporary, Nottingham, UK
2019 An Extraordinary Rendition; hancock & kelly, Chicago Cultural Center, Chicago, Illinois USA
2018 Pink Horizon; Oberwelt, Stuttgart, DE
2018 "Borrowed Landscape", collaboration of artist collective Kelly|Marhaug|Ojalvo, Kunstgarasjen, Bergen, NO
2017 Union Parts I-V; hancock & kelly commissioned by WAKE Festival, Folkestone
2016 Pipe Walk; KELLY/MARHAUG video at Bergen Kunsthall, NO
2015 Sleight of Hand Bureau for Emancipated Touch; Nottingham Contemporary, UK
2015 Observance/Tilstede; KELLY/MARHAUG 5th Kjerringøy Land Art Biennale, NO
2015 Lone Duets + In the Parlour; hancock & kelly screening; Burkina Faso
2014 Import X port; Backlit, Nottingham, UK
2014 Gilding The Lily; hancock & kelly, Tempting Failure, Bristol, UK
2014 Comings and Goings; Broadcaster, UK
2014 Gatherings and Dispersals; Broadcaster, UK
2014 Holding On By Letting Go; KELLY/MARHAUG Galleri Kraft, NO
2013 Holding On By Letting Go and Laying To Rest; KELLY/MARHAUG Video works KinoKino public screens, Sandnes and Stavanger, NO
2013 Phoenix; KELLY/MARHAUG British Ceramics Biennial, Stoke-On-Trent, UK
2013 Slipping; KELLY/MARHAUG British Ceramics Biennial, Stoke-On-Trent, UK
2013 Lånt Landskap; Kelly|Marhaug|Ojalvo Arctic-circle road trip, NO
2013 Xenograftie (Artificial Sorrow); Leprosy Museum, Bergen, NO
2013 Feeling It For You (Perspective); at Liquid Bodies Solid Minds, Gallery Rom 8, Bergen, NO
2013 Feeling It For You (Perspective); at From Where I Stand I Can See You, Bonington Gallery, Nottingham, UK
2013 Touch V Touch; PRIMARY, Nottingham, UK
Residencies///////////////////////////////////////////////////////////////
2017 Between Sky and Sea: Tourism; Lofoten, NO
2016 Stiwdio Maelor, Wales, UK
2016 USF Verftet; International Artist in Residence; supported by Bergen Kommune, NO
2014 The Drawing Board; writing residency, PRIMARY, UK (with Rhiannon Jones)
2013 Topographies of the Obsolete; abandoned Spode Factory (Support by Bergen Academy of Art & Design, NO) Stoke-on-Trent, UK
2013 USF Verftet; International Artist in Residence; supported by Bergen Kommune, NO
Writing///////////////////////////////////////////////////////////////////
2017 I/We Medusa. Short text. Kira O’ Reilly Untitled (Bodies), Eds. Harriet Curtis and Martin Hargreaves. Published by Intellect
2017 Corporeal Breaches & Troubled Terrains. Essay in Rita Marhaug’s Liquid Body, Solid Mind, Published by PABlish
2016 AppallingManners; KELLY/MARHAUG. Photographic document with Rita Marhaug and text by Bjarte Bjørkum, Published by PABlish
2015 Apertures and Architectures: the p0rtal and the g_pe; Essay in Site Reflections published by Bergen Academy of Art & Design
2015 Hauntings and Horizons: the interconnect of body and place; Article in Between Sky and Sea IV: Given Place, Published by PABlish
2014 The Death Drawings, Article for E-publication, Seer-in-Residence to Drawology One Year On Published by Deborah Harty. ISSUU
2014 Seers-in-Residence: an interactive research model for creative practices. Book, Published by Nottingham Trent University.
2013 Eating Skins: paper, ink and flesh in six courses. Article Nyx; a noctournal. Issue 8
Education/////////////////////////////////////////////////////////////////
2012 PostGrad Cert Ed; Nottingham Trent University
2010 PhD Theatre/Fine Art University of Reading (no amendments)
2003 M.A. Fine Art Birmingham City University
2002 B.A. Hons Fine Art; Nottingham Trent University (first class)
Exhibitions////////////////////////////////////////////////////////////////
2021 Galleri 2, "Borrowed Landscape", Kelly|Marhaug|Ojalvo Solo Show, Stamsund, Lofoten Islands, Norway
2021 Stuttgarter Filmwinter 2021, "Piss Take", Kelly|Marhaug|Ojalvo, Stuttgart, Germany
2020 Kelly + Jones, The Glass Tank, Oxford, UK
2019 An Extraordinary Rendition; hancock & kelly, Nottingham Contemporary, Nottingham, UK
2019 An Extraordinary Rendition; hancock & kelly, Chicago Cultural Center, Chicago, Illinois USA
2018 Pink Horizon; Oberwelt, Stuttgart, DE
2018 "Borrowed Landscape", collaboration of artist collective Kelly|Marhaug|Ojalvo, Kunstgarasjen, Bergen, NO
2017 Union Parts I-V; hancock & kelly commissioned by WAKE Festival, Folkestone
2016 Pipe Walk; KELLY/MARHAUG video at Bergen Kunsthall, NO
2015 Sleight of Hand Bureau for Emancipated Touch; Nottingham Contemporary, UK
2015 Observance/Tilstede; KELLY/MARHAUG 5th Kjerringøy Land Art Biennale, NO
2015 Lone Duets + In the Parlour; hancock & kelly screening; Burkina Faso
2014 Import X port; Backlit, Nottingham, UK
2014 Gilding The Lily; hancock & kelly, Tempting Failure, Bristol, UK
2014 Comings and Goings; Broadcaster, UK
2014 Gatherings and Dispersals; Broadcaster, UK
2014 Holding On By Letting Go; KELLY/MARHAUG Galleri Kraft, NO
2013 Holding On By Letting Go and Laying To Rest; KELLY/MARHAUG Video works KinoKino public screens, Sandnes and Stavanger, NO
2013 Phoenix; KELLY/MARHAUG British Ceramics Biennial, Stoke-On-Trent, UK
2013 Slipping; KELLY/MARHAUG British Ceramics Biennial, Stoke-On-Trent, UK
2013 Lånt Landskap; Kelly|Marhaug|Ojalvo Arctic-circle road trip, NO
2013 Xenograftie (Artificial Sorrow); Leprosy Museum, Bergen, NO
2013 Feeling It For You (Perspective); at Liquid Bodies Solid Minds, Gallery Rom 8, Bergen, NO
2013 Feeling It For You (Perspective); at From Where I Stand I Can See You, Bonington Gallery, Nottingham, UK
2013 Touch V Touch; PRIMARY, Nottingham, UK
Residencies///////////////////////////////////////////////////////////////
2017 Between Sky and Sea: Tourism; Lofoten, NO
2016 Stiwdio Maelor, Wales, UK
2016 USF Verftet; International Artist in Residence; supported by Bergen Kommune, NO
2014 The Drawing Board; writing residency, PRIMARY, UK (with Rhiannon Jones)
2013 Topographies of the Obsolete; abandoned Spode Factory (Support by Bergen Academy of Art & Design, NO) Stoke-on-Trent, UK
2013 USF Verftet; International Artist in Residence; supported by Bergen Kommune, NO
Writing///////////////////////////////////////////////////////////////////
2017 I/We Medusa. Short text. Kira O’ Reilly Untitled (Bodies), Eds. Harriet Curtis and Martin Hargreaves. Published by Intellect
2017 Corporeal Breaches & Troubled Terrains. Essay in Rita Marhaug’s Liquid Body, Solid Mind, Published by PABlish
2016 AppallingManners; KELLY/MARHAUG. Photographic document with Rita Marhaug and text by Bjarte Bjørkum, Published by PABlish
2015 Apertures and Architectures: the p0rtal and the g_pe; Essay in Site Reflections published by Bergen Academy of Art & Design
2015 Hauntings and Horizons: the interconnect of body and place; Article in Between Sky and Sea IV: Given Place, Published by PABlish
2014 The Death Drawings, Article for E-publication, Seer-in-Residence to Drawology One Year On Published by Deborah Harty. ISSUU
2014 Seers-in-Residence: an interactive research model for creative practices. Book, Published by Nottingham Trent University.
2013 Eating Skins: paper, ink and flesh in six courses. Article Nyx; a noctournal. Issue 8